You’ve seen all the old pictures. How about some new pictures? TERSE TAPES was brutally murdered around 1998. But it rises again, starting right where it was stopped, as if the war never happened.
The famous BOOFHEAD as seen on stages all over North America. Like all Ensoniq equipment of that period it is built out of pure brick shithouse. It still holds patches from Rotund For Success, and will punch you if you dare erase them.
There underneath the ReVox is a Roland Luxury Yacht, which was too cool in about 2000. No sound is too chorused for this opulent box. Note the authentic SCSI drive. Beneath is a very battered S612 sampler, not the same battered sampler as was used on Big Bigot. A near relative with the same neurosis. The mixer is sitting on an Alesis ADAT which hasn’t seen the sun for many years.
When they do a Star Trek reboot reboot, they are welcome to film ‘Mount Knobs’. Here are all the twiddles a man could desire. From front to rear – the Roland SH32 will never win prizes for looks, but certainly for bloops. The KORG Radias is the slick silver grandchild of the old MS years and a great Xmas decoration. The blue box is a JP8080 and yes, supersaw but not always. And a virtual PolySix, which (it should not surprise you) recognises the knobs on the Radias.
A small part of the post modern world sneaks into frame, as a Blofeld sits atop of ‘Yamaha Peak’. The two groove boxes below house faux Prophet-5 and faux DX-7 cards. Prop them up on decorative plate holders and voilà – the knobs are in reach of the engine driver. The Blofeld is about to get a nasty shock when a V-Synth XT rack gets plunked above. Like a Mopho hidden at back, it’s driven from elsewhere.
And here is the nerve centre of the whole enterprise. Tiny keys for tiny fingers. A Micron is caged under a MiniNova, it too is run from elsewhere and will have to put up with being second fiddle. The scary thing is that there is more than this, too high or deep to see.
All of it is being used right now to make a new recording…